Stuart Hall's representation Media companies create a preferred meaning trough the way they represent certain stories, they can make a story present, absent or different depending on how much they want people to see it. This means they have the power to make people love or hate someone depending on how they show them. This means they can create an idealised version of the story that will match their ideology and convert people to it. This is also done through stereotypes. For example a story about the royal family doing something bad might be present in a left wing newspaper like The Guardian but might be different or even absent in the Daily Mail. Question 1 Stuart Hall's reception theory discusses how media producers use their power to create a preferred meaning by what information they leave present, absent or different. This theory is applicable to the how the Daily Mirror and Daily Express present juxtaposing views of Boris Johnson's final days in government. The ...
Steve Neale Intertextual relay suggests that genres are constantly evolving and are being influenced by each other to form hybrid genres David Hesmondhaigh The theory of vertical and horizontal integration was made for general integration of how companies approach a market. Horizontal integration means a company buying all stages of production for a product while vertical integration means buying other companies in the same market. The internet is powerful and has potential but is used wrongly by people in power. Clay Shirky End of audience theory suggests that consumers are now producers and that consumers now require some level of interactivity in their media products but professional publishing means the theory isn't completely accurate. Tzvetan Todorov Narratology references the structure of narratives with the common structure proposed being: equilibrium(the norm where everything is peaceful), disruption(breaks the equilibrium and needs to be fixed), transformation/ chain of ...
Model paragraph The UK news industry is oligopolistic, with 86% of the industry in the hands of just three conglomerates. Culturally expectations of the UK have shifted where consumers now expect news to be free. As well established news brands compete with online 24 hour news, it has become increasingly important for producers to create effective, monetised websites to match this changing cultural demand. Despite declining print sales in the industry, established UK news brands are choosing to retain their print version due to historical and cultural prestige associated with the British news industry. This allows news brands to leverage the reputation of their printed version. We can see how cultural contexts can affect the way audiences interact with print and online news in The Guardian and the Daily Mail.
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